Must see video end of the article on the real challenges to get the movie on the big screen
From Tony Perkins’ Washington Update FRC
It was the little production that could. After years of battling Hollywood, Facebook, NPR, and even a crowdfunding site, Gosnell: The Trial of America’s Biggest Serial Killer defied all odds on opening weekend. By Sunday, the film had climbed to number 10 on the box office charts — despite a media bent on ignoring the movie and the real-life drama.
For the husband-and-wife team who fought to tell the story, the numbers don’t lie. After last weekend, the film was number one on the indie film chart — and despite debuting in just 673 theaters, brought in more than $1.2 million. Although some critics refused to screen the movie, the ones who did were overwhelmingly impressed. On Rotten Tomatoes, which aggregates the scores of almost every review, Gosnell earned a score of 67 percent, beating out crowd-pleasers like last year’s The Greatest Showman by 11 points. And it was an even bigger hit with audiences, who gave the film a 99-percent approval rating.
It’s just too bad, CNS News points out, that so many media outlets seem “as uninterested in the film as they were when the actual Gosnell trial happened five years ago.” In politics, co-producer Phelim McAleer said, “there’s an equivalent term for this: voter suppression. It is a sad attempt to pretend our film isn’t in theaters across America. But they can’t ignore the box office numbers. We humbly thank all of our fans across the country for this great opening. The people have spoken.”
If you’ve seen the movie or read people’s accounts from the theaters — which range from audiences sitting in silence well after the credits or joining hands for impromptu prayer — you know what a difference the story is making. “This is not your typical pro-life movie. There’s no heart-warming storyline about a challenging but ultimately successful adoption. There’s no nervous single mother who sees an ultrasound and decides to leave the abortion clinic and raise her child against all odds. There is just horror, plain and simple.” And yet, National Review’s Alexandra DeSanctis goes on, “it’s the most powerful kind of anti-abortion movie that could ever be made, because every minute of it… [is true].”
Do your part to spread the truth: buy a ticket. For a listing of theaters near you, click here. Or, to hear from the stars of Gosnell, like Dean Cain, watch this panel from VVS on the challenges of making a movie about the realities of abortion.
Sarah Perry interviews actor Dean Cain and Executive Producer John Sullivan on the challenges with filming and marketing their new film, Gosnell.